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Breck Epic Stage 2

July 6th, 2009 Comments off

 “This is a lot of work Brian” I gasped to my buddy as we rode up the last climb before the bitchin singletrack descent on the Flume Trail. I was of course referring to racing a singlespeed, which is new for me this week.  Big grunts uphill, spinning out on flats, but hell, it’s bike racing in Summit County and therefore a damn good time.

Today was the first big stage of the Breck Epic, and it certainly lived up to my expectations. Sick, Sick, Sick. Beautiful blue sky Colorado day, Ten Mile range green and white with summer snow fields towering over us as we queued up for the start. There were familiar faces and smiles all about, but more importantly there was a total lack of the annoying lineup shitstorm that defines the huge stage races like the Transalp. By this I mean standing in crowd of 400 people in a beautiful but cramped village square basking in the overwhelming aroma of BO and Ben Gay.  But I digress, we’re talkin’ Breck Epic here folks. 

So after a neutral start we hit some dirt road climbing that quickly spread out the field. We got up into the maze of mining roads that crisscross the Golden Horseshoe above Breckenridge, including up the appropriately named Push Hill. One of the great things about mountain biking is feeling the history of the land you’re riding and nowhere is this more apparent than in these old mining roads with their tumbledown shacks and abandoned mining equipment.  I might be suffering on my singlespeed but that is nothing compared to those poor prospectors hand digging the flume trails we are riding today.

Eventually we got to the super goods, riding 17 miles of the Colorado Trail from the Middle Fork of the Swan to the dredge. This is my go-to Summit County ride and it was truly great to race this section of trail I have ridden so many times. Perhaps it was a small advantage as I knew what was coming, but I’ll take it. The descent on the Colorado Trail down Westridge is a magic dirt carpet ride that is worth the trip in itself.

So what’s the deal with racing crazy big wheel singlespeeds? I’ve ridden singlespeeds for quite a few years but have been reluctant to race them (see pre-race blog 1). But I’m kind of getting into it. As I have said, my belt-driven Spot singlespeed is a sick bike, but the fun transcends the bike. You’ve got one gear and so that’s what you ride. Maybe you crank past some geared rider up a hill, only to have them pass you on the flats. I can’t say I’m regretting the choice, although the Wheeler Pass loop in two days my change my mind.

OK race fans. I currently stand in third place in the men’s SS category with a slim 41 second lead on a hard charging Jake Kirkpatrick. This is completely new territory for me, but I’ll do all I can to keep this place. Thanks for reading and check back in tomorrow for more updates.

 

 

 

 

 

 

 

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A Eulogy for Climber John Bachar

July 6th, 2009 Comments off

Bachar Portrait (Photo By Karl "Baba" www.peaklightimages.com)

Bachar Portrait (Photo By Karl "Baba" www.peaklightimages.com)

Renowned climber John Bachar was found dead at the base of the Dike Wall near his home in Mammoth Lakes, California on Sunday, July 5. Environmentalist and outdoorsman Auden Schendler wrote the following eulogy after hearing of Bachar's death.

As a recreational rock climber and mountaineer, I’ve always seen my work on environmental issues as a natural extension of that passion for the outdoors, and also part of a long tradition: climbers and mountaineers have a long history of moving from their sometimes solipsistic, self-involved, and meaningless-by-definition sport into hugely important and weighty work, often in the environmental field. Names that come to mind include Yvon Chouinard, a shy and soft-spoken dirtbag climber and gear inventor who later founded Patagonia and became one of the leading thinkers, philanthropists, and spokesmen on sustainability. David Brower, the pioneering American mountaineer and tenth mountain soldier who ran the Sierra Club and defined modern environmentalism; Ed Hillary, whose mission in life and identity was tied as much to helping Himalayan villagers as summiting Everest for the first time; and of course John Muir, who was first and foremost an alpinist. Today, we have Greg Mortensen, Peter Metcalf, and many others working on important environmental and human issues.

This is not to indict those who were, or are, simply, climbers. In the climbing community there have always been other sorts of characters too—for some, climbing was the end in itself, and what the world did with that was up to them. John Bachar, who died yesterday while climbing solo in California, was one of those. He was a pure rock climber who redefined the sport by ascending sheer rock faces of extreme difficulty without ropes to protect him in the event of a fall. What he did was athletic achievement at the highest levels of human ability and training, on par with the skill and discipline of Nadia Comeneci, Michael Phelps, Lance Armstrong, or Michael Jordan. His climbs, only a few years earlier, had been deemed impossible, even roped; climbing them without protection was as absurd as if a man had presumed to fly. But Bachar did fly. And as a result, one can’t compare his numinous climbing to climbing: instead, you have to compare it to art. To explain it best requires words used for Beethoven’s transcendent ninth symphony; it was an “expression of the divine.”

I had never heard of Bachar, or rock climbed myself, until I was sixteen and read an article in Outside magazine, in 1986. There was Bachar, climbing the impossible, alone, wearing red striped tube socks and revealing running shorts. The article changed the way I looked at the world. When I started climbing, I also wore tube socks (it actually meant your shoes fit poorly, most climbers go barefoot inside their shoes) in homage to Bachar. And there was rarely a day of climbing that passed without a reference to Bachar. “Here’s Bachar pulling the crux on the hideous 5.7 directissima…”

Today, I work in an office, and I don’t climb that much, or that well when I do. Several of us at work convinced management to fund a small climbing wall, and we get out there for ten minutes a few days a week, returning to our desks to type awkwardly with pumped forearms. On the bouldering wall, it’s almost certain someone will mention Bachar, just for the fun of it: coming around a corner, a moderately difficult move, a colleague slips, and complains about the slick hold. “What are you, chickenshit?!” someone yells, referencing an alleged comment by Bachar to his partner on a legendary Tuolumne climb.

In college, when we were most avid, Bachar was always more than just a climber for us; he was more than a human being: he was a talisman, a kachina doll, a phylactery that we carried with us for courage and for inspiration. A friend on a climbing trip to Yosemite came back one summer and, as if he had seen Sasquach, reported that Bachar walked in front of his car. “He was huge,” my friend said. Bachar was ripped, for sure, though no giant. But he was huge to us.

Though I never met him, I didn’t need to. I had seen him climbing on videos, his smooth and deliberate and meditative progress up vertical and overhanging faces of granite. This virtuosity in fact and in concept tied to what I was learning in school: Bachar was proof of what Lincoln called “the better angels of our nature,” evidence for a human will powerful enough to do great things; to end slavery; to solve large and pressing problems. I imitated him in the same way that I imitated McEnroe’s awkward but beautiful serve.

I spend my days working on what I consider an impossible task as a footsoldier in the battle to solve climate change. If you know even a little about the science, the challenge is awe inspiring. The best scientists tell us we have to cut global carbon dioxide emissions 80% by 2050, and even then we’ll have warmed the planet by several degrees and suffer the consequences. I call solving climate change the challenge not of our generation, but of our species. And the things we’ll have to do are so absurdly difficult that they are almost literally impossible: we have to retool society away from fossil fuel almost immediately, if we hope to succeed, and that means we have to change a cripplingly slow political process, reinvent capitalism, and bring the rest of the world along with us. I spend some of my time in despair. But perhaps that is too strong a word, because there are rays of hope. One of those rays is Bachar.   

Of all things, in this office today, as far from his life and his beloved Tuolumne as conceivable, John Bachar is helping me in my work. Bachar didn’t so much influence the sport of climbing as he altered our understanding of what is possible in the human world. His life suggests that if we’re not pursuing something impossible, we’re not achieving to our full potential. He unlocked a door of possibility, the idea that in the same way that we only use a tiny portion of our brain, we are also only tapping a tiny portion of our potential, a potential so great that like some of Bachar’s climbs, we can’t even fathom it. We will all need—and use—that vision in our common struggles ahead.

--Auden Schendler

Categories: Adventure, Climbing, News Tags:

Breck Epic: Climbing Time Trial

July 5th, 2009 Comments off

“Shit dude, is that thunder?”  As the minutes wind down until the start of the certain-to-be excruciating climbing stage, I’m watching the clouds roll in, getting anxious, wondering if I’ll be riding the stage in 38 degree rain. That is unfortunately part of the deal of summer in Summit County.  But, as I have mentioned in earlier blogs, I have arranged perfect weather and so therefore the clouds parted and the sun came out just in time for my start. My friend Cristina wasn’t so lucky, starting her climb in the midst of a wave of biblical weather.

The week before the start, my partner Gavin Hayes -- the brand manager for Spot, fast rider and all around awesome friend -- diggered hard on pavement, moving me over to the solo class. Bummer, but he’ll be OK.  So, in the start of the men’s solo class, it went in alphabetical order. Jeremiah Bishop, Travis Brown, Jeff Carter. Like, if this order were rock bands, it’d be Rolling Stones, Led Zeppelin, Backstreet Boys.  In some ways, it was the definition of intimidating, but it was also super cool to rub elbows with a couple of mountain biking’s heavy hitters. That’s sort of the beauty of these mountain bike stage races as some average johnny like me can toe the line right next to full-on legends.

Now when I hear “climbing time trial” I file it in the same place of mind that houses “cleaning public restrooms” or “preparing for my tax audit.”  However, the course today was nothing like mopping the men’s room on the Jersey Turnpike. Tacky dirt, bermed corners, almost all singletrack, high alpine finish with a beautiful view of the Ten Mile range and the 4th of July Bowl. At the nastiest point of the climb, Mike McCormack, fearless race director, was rooting people on by name.  We are just getting started here, but I suspect this is going to be a killer week of racing. After the stage, I threw on a jacket and rode a fab singletrack descent to town.  Certainly I am excited for the rest of this week to unfold.

Now, as promised, I will comment on my new Spot Brand belt drive singlespeed. SUPER AWESOME is the best way to describe it. Silent belt drive, rock solid front end with the Maverick fork, the sublime ride of high quality steel, styled out in white and blue and best of all made in my home state of Colorado.  I’d also like to send a huge thank you to Turin Bike Shop in Denver for some last minute, super reliable mechanic time to put my Spot in ass-kicking order.  Bike riders are dorks, but this thing gets more leering glances than Pamela Anderson in a skin suit. Ok it’s possible I exaggerated there, but I suppose it depends on the crowd.  I am super psyched to put it through the paces this week, although the singlespeed may put me through the paces instead.

OK that’s it. First day, many logistics, still settling in. Thanks for reading.

 

Categories: Adventure, Cycling Tags:

Q&A: Bob Roll

July 2nd, 2009 Comments off

Image001 This summer, after the doping scandals and Lance Armstrong's three-year hiatus, cycling—and Tour De France—is back. And the man dishing out the color commentary is Versus’ Bob Roll. A former Tour rider who is now in his ninth year as a broadcaster, Roll, 48, called all seven of Armstrong's Tour wins—always referring to the race as the Tour Day France. He’s known in the cycling community as Bobke, has a flair for wild gesticulations while talking, and spouts one-liners with Don Rickles–like aplomb: “Kilometers are passing like kidney stones,” “Lance Armstrong is the eye of the hurricane and he's headed straight for the Jan Ullrich trailer park.” In other words, the most interesting person to watch at this year’s Tour may be the man in the broadcast booth.  —Will Palmer

When you're at the Tour, you're not exactly known for speaking perfect French. Do you have any animosity toward the French?
Oh, that's just kind of a runaway thing. When we were racing over there, we said "Tour day France" because that's just the way we talked amongst ourselves. And then ten years went by and I hadn't changed my pronunciation of the event, so when I started doing television I found that people didn't like it that much. But me, personally, I love France. I love covering the Tour, I love the country of France.

Some of the suspended riders are back at the Tour this year. Do you think the talk about drugs might start to go away?
It's been tough on the sport of cycling. But now, it's funny, other sports have been found to be much more abusive in their use of illegal substances, and they're much more lackadaisical in the actual prosecution, in the face of pretty compelling evidence. So as far as whether or not drug scandals will continue to haunt cycling? It'll probably always be a part of not just cycling but all sports. With the controversy with Alex Rodriguez, cycling was instantaneously pushed to the back burner. And they haven't even scratched the surface in a sport like football. In a sport like tennis, or golf, or Formula One racing... they all have really powerful players' unions that don't allow the intrusive nature of the anti-doping efforts that are absolutely essential to guarantee that people are watching an authentic spectacle. Cycling is the cleanest professional sport in the world. If you look at the riders involved in doping scandals at the Tour de France last year, every single rider who was involved in drugs was caught. So you have 189 starters, and five were caught; I think that's pretty indicative of the pro peloton—I think that's probably the percentage of riders who are willing to risk all of the controls that are in place to try to do a little bit better. So I hope people will start to realize that, and then the sport can really be seen as an authentic, gritty, dynamic, athletic competition that people can be passionate about without any qualms about it being authentic.

How did you come to have those crazy hand gestures?
From living in Italy as a racer; that's how people talk and I just adopted it. That was the last moment of aural development that my brain was capable of, in my twenties, and it just happened to be that the last formative years of my life were spent in Italy. The brain has a capacity for development throughout its trajectory, but that's when behavior patterns can still actually change. ... People said that I was doing that, but I didn't know what they were talking about. I can't disagree, because it's pretty consistent, but I have to say that it's totally subconscious. And I work with Phil [Liggett] and Paul [Sherwen], who are British, and they don't use their hands—I think it's just a British characteristic that you speak with your mouth, and you use your hands to work. The Italians throw everything in the mix.

Like Phil and Paul, you've started to be known for your figures of speech, or Rollisms. Do you have a favorite one?
My current favorite is "Work hard, rest easy." Look for that in a TV show near you.

Bob Roll will be announcing the Tour de France, July 4–26, for Versus. Follow their coverage online.

Categories: Adventure, Cycling, Tour de France Tags: